Nymph of the grot these sacred springs I keep
And to the murmur of these waters sleep
Ah spare my slumbers gently tread the cave
And drink in silence or in silence lave.

Alexander Pope

somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully, mysteriously) her first rose

or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;

nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the color of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands

e e cummings, somewhere i have never travelled, gladly beyond

When the sun rises, I go to work.
When the sun goes down, I take my rest.
I dig the well from which I drink.
I farm the soil which yields my food.
I share creation. Kings can do no more.

Chinese Proverb

In the same way that the mindless diamond keeps
one spark of the planet’s early fires
trapped forever in its net of ice,
it’s not love’s later heat that poetry holds,
but the atom of the love that drew it forth
from the silence: so if the bright coal of his love
begins to smoulder, the poet hears his voice
suddenly forced, like a bar-room singer’s — boastful
with his own huge feeling, or drowned by violins;
but if it yields a steadier light, he knows
the pure verse, when it finally comes, will sound
like a mountain spring, anonymous and serene.

Beneath the blue oblivious sky, the water
sings of nothing, not your name, not mine.

Don Paterson, Poetry

Lovely one,
Just as on the cool stone
Of the spring, the water
Opens a wide flash of foam,
So is the smile of your face,
Lovely one.

Lovely one,
With delicate hands and slender feet
Like a silver pony,
Walking, flower of the world,
Thus I see you,
Lovely one.

Lovely one,
With a nest of copper entangled
On your head, a nest
The colour of dark honey
Where my heart burns and rests,
Lovely one.

Lovely one,
Your eyes are too big for your face,
Your eyes are too big for the earth.

There are countries, there are rivers,
In your eyes,
My country is your eyes,
I walk through them,
They light the world
Through which I walk,
Lovely one.

Lovely one,
Your breasts are like two loaves made
Of grainy earth and golden moon,
Lovely one.

Lovely one,
Your waist,
My arm shaped it like a river when
It flowed a thousand years through your sweet body,
Lovely one.

Lovely one,
There is nothing like your hips,
Perhaps earth has
In some hidden place
The curve and the fragrance of your body,
Perhaps in some place,
Lovely one.

Lovely one, my lovely one,
Your voice, your skin, your nails,
Lovely one, my lovely one,
Your being, your light, your shadow,
Lovely one,
All that is mine, lovely one,
All that is mine, my dear,
When you walk or rest,
When you sing or sleep,
When you suffer or dream,
Always,
When you are near or far,
Always,
You are mine, my lovely one,
Always.

Pablo Neruda, Lovely One

Love is enough: though the world be a-waning,
And the woods have no voice but the voice of complaining,
Though the skies be too dark for dim eyes to discover
The gold-cups and daisies fair blooming thereunder,
Though the hills be held shadows, and the sea a dark wonder,
And this day draw a veil over all deeds passed over,
Yet their hands shall not tremble, their feet shall not falter:
The void shall not weary, the fear shall not alter
These lips and these eyes of the loved and the lover.

William Morris, Love is Enough

Escape me?
Never—-
Beloved!
While I am I, and you are you,
So long as the world contains us both,
Me the loving and you the loth
While the one eludes, must the other pursue.
My life is a fault at last, I fear:
It seems too much like a fate, indeed!
Though I do my best I shall scarce succeed.
But what if I fail of my purpose here?
It is but to keep the nerves at strain,
To dry one’s eyes and laugh at a fall,
And, baffled, get up and begin again,—-
So the chace takes up one’s life ’ that’s all.
While, look but once from your farthest bound
At me so deep in the dust and dark,
No sooner the old hope goes to ground
Than a new one, straight to the self-same mark,
I shape me—-
Ever
Removed!

Robert Browning, Life in a Love

This is the laughing-eyed amongst them all:
My lady’s month. A season of young things.
She rules the light with harmony, and brings
The year’s first green upon the beeches tall.
How often, where long creepers wind and fall
Through the deep woods in noonday wanderings,
I’ve heard the month, when she to echo sings,
I’ve heard the month make merry madrigal.

How often, bosomed in the breathing strong
Of mosses and young flowerets, have I lain
And watched the clouds, and caught the sheltered song -
Which it were more than life to hear again -
Of those small birds that pipe it all day long
Not far from Marly by the memoried Seine.

Hilaire Belloc, [Month of] May

I turn around on the gravel and go back to the house for a book, something to read at the doctor’s office, and while I am inside, running the finger of inquisition along a shelf, another me that did not bother to go back to the house for a book heads out on his own, rolls down the driveway, and swings left toward town, a ghost in his ghost car, another knot in the string of time, a good three minutes ahead of me — a spacing that will now continue for the rest of my life.

Billy Collins, I Go Back To The House For A Book

All those treasures that lie in the little bolted box whose tiny space is
Mightier than the room of the stars, being secret and filled with dreams:
All those treasures—I hold them in my hand—are straining continually
Against the sides and the lid and the two ends of the little box in which I guard them;
Crying that there is no sun come among them this great while and that they weary of shining;
Calling me to fold back the lid of the little box and to give them sleep finally.

But the night I am hiding from them, dear friend, is far more desperate than their night!
And so I take pity on them and pretend to have lost the key to the little house of my treasures;
For they would die of weariness were I to open it, and not be merely faint and sleepy
As they are now.

William Carlos Williams, Slow Movement